Under a bower of twining flowered branches, a woman and a man sit naked, side by side in a garden, sharing a kiss. A long, pale orange serpent is coiled along the ground at their feet, its head rising ...

The vessel is a tall bowl with handles on either side. It is painted black, and in red there are three figures. The figure on the left is nude with laurels in his hair, and is seated playing a flute.

On the side of the coin on the left is the bust of a woman facing right, her hair is elaborately waved and piled in bun on top of head, loose clothing draped over shoulders; surrounding the border, ...

In the foreground, a river is shown flowing horizontally along the bottom of the page. In it, naked human figures float in from the right side. They are all drawn into a whirlwind that rises up from ...

At left, a young fair skinned woman with long wavy brown hair stands facing us, wearing only an ornate crown and jewels, a richly embroidered open robe around her shoulders. With a leopard at her feet ...

With her large body and frontal pose, the Virgin here functions as a throne for Christ, a visual expression of her status as the Mother of God and source of wisdom. While the symmetry and rigid ...

On the side of the coin on the left is the head of a man facing right, wearing the skin from an elephant's head, trunk turned up and tusks protruding out, small dots surround the border. The other ...

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The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...

On the side of the coin on the left is a man's head facing left, tendrils of curly hair held in place by a laurel wreath; surrounding the border, the Latin characters: N E R O / C L A V D I V S / C A ...

The fair skinned man looks over his right shoulder toward the viewer with soft dark eyes, short dark hair with thin beard and moustache. The face is the most defined part of this self portrait of the ...

Cézanne’s fascination with the complexities of human perception and his desire to transcribe the abstract properties of vision established him as the central figure linking nineteenth-century ...